Referencing stereoscopic photography, these mural-sized charcoal drawings incorporate images of houses, office buildings or malls from the suburbs of south Denver. In this case, images are doubled and tripled to suggest repeatability and the process of change. In Tennis Whites, the image of a tennis court breaks down under hundreds of strokes of Wite-Out correction fluid. In Drive-By, the image of a tree breaks down into its half-tone representation.
materials: charcoal, White-Out, acrylic on paper and unstretched canvas / size: 6 feet x up to 25 feet / installed: selection of drawings 1999-2002, exhibited at Urban Institute for Contemporary Art, CEPA Gallery, Second Floor Contemporary